A lot can happen in three years, and for The Story So Far, a whole lot did. After the release of their third, self-titled album in 2015, the band’s routine writing, recording, and touring had caught up with them. “We were so burnt from touring, and playing the same songs over and over again,” says Parker Cannon, the band’s vocalist and lyricist, “We knew we had to take a step back and collect ourselves.” By taking that time to recharge, The Story So Far were able to look at themselves with fresh eyes and newfound creative ambitions, returning with their most cohesive and confident record to date. Out September 21 on Pure Noise Records, Proper Dose shows just how much The Story So Far have grown as both people and musicians. They take bold creative leaps, finally making the record that they’d always wanted to. “This one, all the way through, I just think it’s leaps and bounds ahead of anything we’ve ever done,” says Cannon.  As is the case with every The Story So Far album, guitarist Kevin Geyer and drummer Ryan Torf shepherded the creative direction. “We didn’t really have a deadline,” says Geyer, “And the biggest enabler of us getting the record to where we wanted it was having time to work on it.” Over the course of a full year, Geyer and Torf shaped the songs that would become the backbone of Proper Dose, often starting them on instruments like the wurlitzer or synthesizer before bringing them to the rest of the band.  Holing up with producer and engineer Sam Pura, The Story So Far spent just as much time reworking the songs on Proper Dose as they did writing them. “Since our last record, we’ve all collectively really gotten into The Beatles,” says Geyer. “It’s not like we’re trying to sound like The Beatles, but it just gives you a crash course in songwriting and how you can experiment but retain your identity.” Proper Dose makes full use of those influences, allowing the band to push themselves to into new spaces while bringing their fans up to speed on everything that’s happened in the past three years.  Cannon says the question the band kept asking themselves while making the album was, “How do we stay the same but get better?” The answer was found by never settling, opting instead to push the songs into spaces that felt exciting and new. “It was a challenging process,” says Torf, “But it was a very rewarding process.” The culmination of that effort can be heard in songs like “Take Me As You Please” and “Let It Go,” where The Story So Far builds ornate pop songs that retain the energy and urgency of their early work.  Aided by the mixing of Eric Valentine, who has worked with bands like Third Eye Blind, Queens Of The Stone Age, and countless others, Proper Dose became a cohesive album by effectively uniting the band’s past with their present. Cannon’s voice remains anthemic, but his range has expanded along with the band’s sonic palette. Geyer and guitarist Will Levy compose parts that are nuanced and evocative, allowing the rhythm section of Torf and bassist Kelen Capener to wander more than ever before. Using a diverse set of reference points, the songs explore new directions, be it the Oasis-indebted “Upside Down” or the electronic-flecked “Line.” At its core, Proper Dose is about finding balance between the person you were and the person you wish to be, and it shows the band working to bridge that gap. It’s a brave record, the kind that sees The Story So Far showing their fans just how far they’ve come and inviting them to go on the journey with them.

Originally formed as Daylight in 2007, the grunge revivalists changed their name to Superheaven in 2014. Although their name changed, their sound, which drew upon the driving and sludgy melodies of the '90s for inspiration, remained, with nods to bands like Stone Temple Pilots and Soundgarden still intact. Looking to reintroduce themselves to the world, they reissued their full-length debut, Jar, under their new name in 2014. The following year saw them ink a deal with Los Angeles-based indie Side One Dummy and release Ours Is Chrome. ~ Gregory Heaney, Rovi

Since forming in 2020, every single second of music recorded by Koyo has been completely and utterly genuine. Formed in Long Island, New York by five childhood friends who grew up together—vocalist Joseph Chiaramonte, guitarists Harold Griffin and TJ Rotolico, bassist Stephen Spanos, and drummer Salvatore Argento—Koyo’s music is the sound of Stony Brook summers flipping between Taking Back Sunday and Silent Majority while driving to the beach, living in songs that feel just like home. Three years after their formation—and hot on the heels of a slew of acclaimed EPs—Koyo is now taking their next step in the hallowed halls of Long Island hardcore with Would You Miss It?, the band’s debut album. Following in the footsteps of the giants of hardcore, pop-punk, and emo that came before them, Koyo are aware of the weight a debut album carries, and they’ve been slowly crafting it since the band’s earliest days. “We really slow-cooked this record,” says Chiaramonte. “There are songs on it that go back as far as being written just after Painting Words Into Lines came out. Even as we were writing for Drives Out East, we knew certain songs had to be allocated for certain things. We’d just keep them in the bank and develop them over time.” Despite all the planning and tinkering, there’s nothing contrived about Would You Miss It?, because there’s nothing remotely manufactured about Koyo. Every element is a genuine representation of the people creating it, and the album was concocted in the most authentic way possible: with five friends, all together, writing songs. “We have great chemistry as a band and as songwriters,” says Griffin. “That’s the beautiful thing about Koyo, that we can sort of fit into everything. We never try to box ourselves in, because no matter what we do, it will still be us.” To fully immerse themselves in the recording process, Koyo decamped to a barn in rural New Jersey with producer Jon Markson (Drug Church, Regulate, One Step Closer) and spent six weeks digging into every detail of the record. The product is songs like “You’re On The List (Minus One),” “Message Like A Bomb (ft. Daryl Palumbo),” and “Anthem,” tracks that build upon Koyo’s established foundation, but feel sharper, stronger, and even more singalong ready. “This record was a labor of love,” says Chiaramonte. “Not just because of the work that went into it, but because of all the life experiences that shaped it. The record was a life-fulfilling, life-affirming thing to make, but it hurt a little bit to make, too.” That’s no metaphor. Nearly every day working with Markson was a marathon 10-hour session with the band poring over every single detail to ensure their debut album met their expectations. Meanwhile, Griffin was learning how to walk again after an onstage accident precipitated a major ankle surgery. “The first week we were at the studio, I was in a wheelchair with my foot up and could not do anything,” says Griffin. “Three of the songs on the album were written from that wheelchair. I had a physical therapist a mile away from the studio, so I learned how to walk while living at this farm for six weeks.” For Chiaramonte’s part, the lyric writing process forced him to dig deep into himself. Musically, Koyo’s songs flow out of Griffin and Rotolico as naturally as a conversation at an all-night diner but, for Chiaramonte, writing lyrics proved to be a deeply introspective experience. He’d drive somewhere remote and sit for hours with a notepad until what filled the page was an honest, open-hearted sentiment. “Life’s A Pill” is a prime example, and a perfect encapsulation of the range of emotion Koyo captures throughout each of the tracks on Would You Miss It?. “‘That song is about a family member of mine passing away from a drug overdose when I was on my first full U.S. tour,” says Chiaramonte about “Life’s A Pill.” “Ultimately, I chose to stay on that tour. I didn’t want to grieve. I didn’t want to think about it. It was all so overwhelming that I just opted to shoulder how I was feeling, finish the tour, and deal with it another day. I found that I started to do that with a lot of things because I started to tour full time that year. There were so many interpersonal problems that I was just smothering. That song dives into that. The loss, the avoidance, and what I was doing mirrored what some people turn to drugs for. It’s a giant song about loss and escapism.” Would You Miss It? is the kind of album that could only be made by a group of self-proclaimed genre-obsessives. It’s why Koyo can seamlessly transition from playing the This Is Hardcore festival to opening for Bayside, because they make perfect sense no matter what bill they’re on. That natural musical dexterity is what fostered collaborations with Glassjaw’s Daryl Palumbo (“Message Like A Bomb”), Vinnie Caruana of The Movielife (“What’s Left To Say”), and Vein.FM’s Anthony DiDio (“Flatline Afternoon”) on songs where each part was written specifically with the guest vocalist in mind. Each person fits right into Koyo’s musical language, and expresses the range of sounds and feelings the band can express at any given time. Taken in full, Would You Miss It? is the coming-of-age tale of five friends joining together to take on the world. Fueled by a love for music, and a shared creative bond, Koyo sets the bar for the new wave of Long Island bands. As Chiaramonte notes on “Anthem,” a lyrical love letter to Long Island scenes of the past, present, and future, “the best is yet to come.” Pay attention, because you won’t want to miss it.